1. Dark Waters de Todd Haynes : 7,39/10 (9 notes) 2. 1917 de Sam Mendes : 6,88/10 (23 notes) 3. La dernière vie de Simon de Léo Karmann : 6,83/10 (6 notes)
4. Uncut Gems de Joshua & Ben Safdie : 6,79/10 (13 notes) 5. Play de Anthony Marciano : 6,70/10 (11 notes) 6. Le cas Richard Jewell de Clint Eastwood : 6,58/10 (15 notes) 7. Tyler Rake de Sam Hargrave : 6,35/10 (17 notes) 8. Togo de Ericson Core : 6,33/10 (6 notes) 9. Les filles du docteur March de Greta Gerwig : 6,31/10 (9 notes) 10. Tout simplement noir de Jean-Pascal Zadi & John Wax : 6,25/10 (6 notes)
11. Lucky Strike de Kim Yong-hoon : 6,17/10 (6 notes) 12. Un divan à Tunis de Manele Labidi : 6,10/10 (5 notes) 13. Jojo Rabbit de Taika Waititi : 6,03/10 (15 notes) 14. Balle perdue de Guillaume Pierret : 5,95/10 (11 notes) 15. Invisible Man de Leigh Whannell : 5,73/10 (11 notes)
16. The Gentlemen de Guy Ritchie : 5,73/10 (11 notes) 17. The Hunt de Craig Zobel : 5,50/10 (8 notes) 18. L’appel de la forêt de Chris Sanders : 5,40/10 (5 notes) 19. En avant de Dan Scanlon : 5,31/10 (8 notes) 20. Bad Boys for life de Adil El Arbi et Bilall Fallah : 5,07/10 (7 notes)
21. La terre et le sang de Julien Leclercq : 4,80/10 (5 notes) 22. La fille au bracelet de Stéphane Demoustier : 4,65/10 (5 notes) 23. La Plateforme de Galder Gaztelu-Urrutia : 4,33/10 (6 notes) 24. Underwater de William Eubank : 4,21/10 (7 notes) 25. Birds of Prey et la fantabuleuse histoire de Harley Quinn de Cathy Yan : 2,58/10 (6 notes)
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."