
Moi qui suis d'un naturel si joyeux

Modérateur: Alegas
Mark Chopper a écrit:La mode des années 2010 consiste à faire des suites de merde qui permettent de réévaluer des purges.
Hannibal a écrit:Moi qui suis d'un naturel si joyeux
Mark Chopper a écrit:La mode des années 2010 consiste à faire des suites de merde qui permettent de réévaluer des purges.
Alegas a écrit:Non c'est une illustration pour Star Wars VII en fait.
osorojo a écrit:Fin bon, vu le début de promo en mode jouet club, faut pas s'attendre à un sith dark hein
But there was still the matter of what would actually happen on-screen. “We were struggling to come up with a story,” Kasdan, 66, admitted. “There were elements that we would come up with and say, ‘Oh, that’s good! That’s strong!’ But it was not coming together.” With Abrams now part of the development team and the already tight summer 2015 release date looming ever closer, Michael Arndt was having difficulty finishing a script within the necessary time frame. “There was a ton of ideas and outlines, a lot of cards on the wall, a lot of writing on whiteboards,” Abrams said, but no screenplay. With pre-production chores already well under way in London, where much of the film would be shot at Pinewood Studios, Abrams and Kasdan took over the screenwriting process, starting more or less from scratch. “We said, Blank page. Page one. What do we desperately want to see?” Abrams told me. Though Abrams said both men had pet ideas from the development process they wanted to incorporate, and did, Kasdan made the process sound like more of a teardown: “We didn’t have anything,” Kasdan said. “There were a thousand people waiting for answers on things, and you couldn’t tell them anything except ‘Yeah, that guy’s in it.’ That was about it. That was really all we knew.”
One day, the two men spent eight hours at Les Deux Magots, the boisterous café on Boulevard Saint-Germain where patrons are jammed elbow-to-elbow and which is famous for having once been a hangout for the likes of Ernest Hemingway, Jean-Paul Sartre, and Simone de Beauvoir. “We’re like yelling back and forth in this noise, saying, This should happen, that should happen, he can’t do that—and hoping no one’s there from Cinema Blend,”
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