"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
1997 : Perfect Blue 2001 : Millennium actress 2003 : Tokyo godfathers 2006 : Paprika
Filmo Richard Attenborough :
1969 : Ah Dieu ! que la guerre est jolie (Oh! What A Lovely War) 1972 : Les Griffes du lion (Young Winston) 1977 : Un pont trop loin (A Bridge Too Far) 1978 : Magic 1982 : Gandhi 1985 : Chorus Line 1987 : Le Cri de la liberté (Cry Freedom) 1992 : Chaplin 1993 : Les Ombres du cœur (Shadowlands) 1996 : Un Temps pour l'Amour (In Love and War) 1999 : Grey Owl (La chouette grise) 2006 : War and Destiny 2007 : Closing the Ring
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
1993 : Cronos 1997 : Mimic 2001 : L'Échine du Diable (El Espinazo del Diablo) 2002 : Blade II 2004 : Hellboy 2006 : Le Labyrinthe de Pan (El Laberinto del Fauno) 2008 : Hellboy II : Les Légions d'or maudites (Hellboy II: The Golden Army)
Filmo John Milius :
1973 : Dillinger 1975 : Le Lion et le Vent (The Wind and the Lion) 1978 : Big Wednesday 1982 : Conan le Barbare (Conan the Barbarian) 1984 : L'Aube rouge (Red Dawn) 1989 : L'Adieu au roi (Farewell to the King) 1991 : Le Vol de l'intruder (Flight of the Intruder)
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
J'en connais au moins un à qui ce duel doit faire chier (moi aussi en fait)
Bon allez je vote pour Milius qui a un putain d'univers, même si bien sûr Del Toro est aussi l'un des meilleurs réalisateurs fantastiques-comics book (le meilleur ?) du moment
Puis bon Milius va pas récolter beaucoup de vote je pense ...