
Modérateur: Alegas
Everyone always talks about that shot in the car in Children of Men. You think, “what can’t he do?” Could you talk about how you guys plan on raising the bar in terms of technology?
producer_david_heyman_imageHeyman: Well we’re using technology that’s never seen before. This film will be more immersive, I believe, than anything you’ve seen before. You will really feel like you are in space. It will not be an objective view of space, it will be an immersive view of space. And you know as you say, with Children of Men, he loves these long shots. It’s gonna be a really bold, bold film.
Have you guys talked about doing the project in 3D?
Heyman: Yeah, it will be 3D.
Are you guys filming in 3D?
Heyman: No.
It used to be, people would get very upset when they heard that. But I’ve seen post-conversion that looks really good.
Heyman: And actually, we did some tests. Because this film is being made almost entirely digitally, a huge amount of it’s being made digitally. 3D felt like a really organic—because so much of it’s being done digitally, you can make the 3D in a post process much more easily than if you were shooting all live-action or sitting in a room.
Are you guys filming in America, London?
Heyman: U.K.
I’m assuming there’s a lot of soundstage work.
Heyman: Yes. A huge amount of soundstage work.
"[They're] absolutely pushing a new boundary in filmmaking, completely mindblowing. And the way they're making that movie will, I think, forever change certain types of productions," he said.
"A satellite blows up," Clooney says, "and space junk causes damage. We go out in space suits, and she and I are tethered together, floating through space."
“It’s a two-hander with only two actors in the whole film,” he says. “It is a very odd film, really. Two people in space. No monsters. It’s more like [2001: A Space Odyssey] than an action film.”
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