A LA MERVEILLE de Terrence Malick

[Milkshake]

Ouai je kiff la réal de Joe Wright un putain d'esthete inspiré, c'est tellement rare.

La ce qui va être intéressant c voir ce que Malick va réussir à tirer de ben Affleck, on dirait qu'il lui a réserver des scènes assez chaude avec Olga, le chanceux.

[Alegas]

et toi , t'attend anna karenine seul two

Nan, il est pas seul.

[Heatmann]

ouai jt'avais oublier la y a de la perruque , du bustier et du froufrou sous les chandelier , z'allez vous regaler

[inderweltsein]

Le film est passé devant la MPAA (il a d'ailleurs obtenu un "R" pour de la sexualité ou nudité), comme The Tree of Life l'était passé en juillet 2010 dans une version à très peu de chose identique à la versoin finale, maintenant c'est donc plus qu'une histoire de distributeur..

Depuis presque un an je parie sur Venise. On verra cet été lors de l'annonce de la sélection..

C'est fait. En compétition.
La sélection de Venise
I have said it

Durée 112 minutes

[berry]

ne reste plus qu'une date de sortie...

[Alegas]

Apparemment, Rachel Weisz, Barry Pepper et Michael Sheen sont coupés au montage.

[Mark Chopper]

Malick va continuer de se faire des amis parmi ses acteurs...

[Milkshake]

Voilà l'impression d'Affleck sur le film :

“The film feels to me like more a memory of a life than a literal story in real time of someone’s life, the way movies more commonly are. This pastiche of impressionistic moments, skipping across the character’s life and moving in a nonlinear way, mirror, in my mind, the way one remembers one’s life. It’s a little hypnotic and you’re a little bit in a daze — it’s more fluid than real life is.”

Donc il faut s'attendre à un montage/structure proche de Tree of life.

[Milkshake]

Les premieres critiques venant de Venise tombent :

The guardian

Terrence Malick's bold and beautiful companion piece to The Tree of Life is unfashionably concerned with love and God

The playlist

There’s very, very little dialogue in the film, with much of what is said sometimes buried in the mix or muted altogether. Even so, we might have been tempted to drop much of the narration, which sometimes feels a bit student-poetry, especially as the visuals are normally managing to achieve the same thing. And Malick, and his five (?!) editors, lose the thread a little as the film comes to close, although there’s a terrific economy of storytelling in the cutting elsewhere. It’s a certainty that the film will prove divisive as its predecessor, but we found the director’s latest to be a beautiful, hearfelt and raw piece of work. [A-]

ça s'annonce bien bon

[berry]

De ce que j'en lis moi, ça semble encore plus mitigé que pour TTOL...
Par contre j'aimerais bien voir des images, une BA ou une date de sortie parce que là, Parler dans le vide, ça commence à être un peu stérile.

[Heatmann]

ouai milkshake il relaye encore que ce qui l'arrange

en effet comme tu le dit Berry , la reception a VENICE est plus que mitiger ....



To the Wonder," Terrence Malick's second film in as many years, unspooled at the Venice filmfest Sunday. While critics found his meditation on marriage to be visually appealing, the lack of dialogue and structure left them wanting more from this three-time Oscar nominee. The picture, which does not have domestic distribution yet, will screen next week at the Toronto filmfest

Ben Affleck, who plays the central character -- a man having a midlife crisis -- has only a handful of lines with Olga Kurylenko, who is one of his loves, supplying a voiceover. Also on hand are Oscar champ Javier Bardem ("No Country for Old Men") as a priest in crisis and Rachel McAdams as a woman struggling with the loss of a child. Cut from the film were talents such as Oscar winner Rachel Weisz and nominee Jessica Chastain, who appeared in Malick's last film "The Tree of Life."

Several of the reviewers made mention of the link between this film and that one, which contended for three Oscars last year (Best Picture, Director, Cinematography). Below, a sampling of their thoughts.


Olga Kurylenko is 'Wonder'‘s central character who sets the scene talking about love in voice over as she and Affleck wander through Paris and on to Mont St. Michel – the 'Wonder' of the title. But the voice over isn’t used solely to set the scene, it’s almost the only dialogue device Malick uses throughout. Javier Bardem plays a disillusioned priest in the Midwest town where Kurylenko and Affleck’s characters set up house. A house that never has a lot of furniture, but a fair bit of frolicking and fighting. McAdams is a woman struggling after the loss of a child with whom Affleck takes up briefly. The storylines of the four characters are only vaguely intertwined. The film often employs circles and moving objects spinning in rounds – including ferris wheels and a rollercoaster – for symbolism."
source : hollywood reporter

[Logan]

http://www.ecranlarge.com/article-details-23725.php

[Mark Chopper]

Il a l'air aussi chiant que le précédent.

Comme je n'ai pas aimé The Tree of Life, je vais faire l'impasse.

[berry]

un tas de critiques en français depuis ce matin.
Il em etnet vraiment ce film. Je pense même que je vais le préférer à TTOF . Un lyrisme semblant être mis au service d'une vie quotidienne qui nous parlera peut-être plus que les thèmes plus vastes de son précédent opus.

[Killbush]

http://www.ecranlarge.com/article-details-23725.php

"To the Wonder ferait passer Tree of Life pour Transformers" (Ben Affleck)
Autant dire que je suis pas prêt de le voir